Aug 3 2011

Narrativity: You’re Too Good For Boring

Thoreau Bred

Narrativity: [nar-uh-tiv-uh-tee]: 1.) the degree to which your brand spunk, funk, credibility, attitude, and vibe shines through your messaging. 2.) Your voice, your verbiage, your tone.

While preparing for a wine-touring camping trip to Watkins Glen, I began perusing the websites of the nearby Seneca Lake wineries and plotting my prioritized must-see, must-visit list for the alcohol-inspired excursion. I was frustrated to find that, with a mere handful of exceptions, every winery’s website looked and sounded the same, and they all lacked personality, pizzazz, and panache. Armed with an adventurous spirit, I finally gave up pre-planning my wine trail route, and decided to wing the whole experience. I visited several wineries I liked, several I very much didn’t, and I couldn’t help but wonder if I’d accidentally by chance driven right past my dream winery and missed my one chance at true varietal bliss.

If every brand looks and sounds the same, has same perspective, purpose, product, it doesn’t matter which winery you visit or which brand you choose. The one is as good as the other, and if you’ve had one you’ve had them all. If you’re distinct, worthy of note, and you hide behind  the same humdrum look, feel, sound, and practice as everyone else, no one will ever know you’re worthy of their time or attention. When everyone is just a different shade of beige, popped from the same drone mold, we’re all being robbed of an opportunity for preference and our worlds all have a little less color in them. Boring is thievery by complacency.

Narrativity is one of the ways bold brands with a story to tell differentiate their experience, brighten their color spectrum, and tell their too-good-for-boring tale. Your brand’s story is made up of your brand’s real-life, day to day, actions, decisions, products, events, partnerships, sponsors. It’s who you are, how you work, what you do, and why you do it.  Narrativity is the voice, tone, and verbiage you use to tell that vivid, appealing, authentic story. Narrativity is like a person’s distinct vocabulary and speech pattern. It’s the words and phrases you own, and it’s what makes you sound like you, instead of just like everybody else.

Here are a few examples of vibrant, saucy brands that have high degree of Narrativity:

Urban Daddy: A racy, random, irreverent city guide for liquor drinking, women loving, wannabe jet owning, good humored James Bond types the world over. After reading an article or three from Urban Daddy, you and your grandmother could both pick their work out of a line up blind-folded (if it was being read aloud).

Harley-Davidson: Harley doesn’t sell motorcycles, they sell freedom, self-expression, great escapes, and the open road. Harley’s “grab life by the bars”, “leave well enough behind”, “out to free the world” attitude is captured in and on everything from their advertisements to their annual reports.

Kraken Rum: This edge-of-the-world nautical brand is steeped in legend and only distilled for the fearless, seafaring, adventuring, unshaven at spirit. Once you’ve heard a Kraken ad, you can’t help but read the Kraken bottle and the Kraken story using their narrator’s speech pattern- it’s that alluring and distinctive. Kraken’s tone is so consistently conveyed with such a distinctive verve that their narrator’s voice and their content’s verbiage isn’t ever separate from the story, it’s part of their story.

For a sneak peek at Kraken’s vivid storytelling in action, check out their tale of the man-eating, ship-wreaking, sea-monster The Kraken, via their website.

Coffee Fool: Coffee Fool comes with a warning: their coffee is so fresh and delicious, everything else will taste bland and stale in comparison. What the warning doesn’t mention is that everything’ll look and sound bland in comparison as well. While other coffee roasters talk in coffee-speak about notes and tones and soils and geographies, these guys have a style all their own…. An example: the description for their only-brewed-on-Fridays flavor, Vanillamykahlua, proclaims it: “Tastes just like it sounds, with a little Hawaiian rumble in the jungle.” And the description for their knock-your-socks off bacon-flavored brew: “If everything tastes better with bacon, then why not coffee too? Our bacon flavor is not just roasted – it’s spit roasted. It’s so aromatic, you’ll be instant friends with your work colleagues and … any neighborhood dogs.”


Feb 2 2011

Top Shelf: Communications Reads We Recommend

Thoreau Bred

“Made to Stick” by Chip and Dan Heath
Why do some ideas make powerfully indelible impressions and others just don’t seem to stick at all? Chip and Dan Heath have the answer to what makes some ideas “stickier” than most. The official how-to guide on crafting and conveying ideas that capture attention.

“The Designful Company”
by Marty Neumeier
A designful writer, editor, marketer, or advertiser  crafts messages that are relevant, alluring, meaningful, transparent, accurate, and that actually matter. The Designful Company addresses the ways that divergent thinking can help writers align a brand’s messaging with its operations to maintain relevance and drive thought-leadership.

“Content Strategy for the Web” by Kristina Halvorson
The ultimate intro guide to creating, organizing, and managing web content that works. Halverson covers everything from auditing your existing content to figuring out your site architecture and long-term content management.

“Brand Digital”
by Allen P. Adamson
Loaded with case studies, research, and the hard-earned wisdom of industry experts, BrandDigital offers an insightful perspective on developing brand presence, touch-points, recognition, and engagement through digital mediums. An outstanding follow-up to Adamson’s book “Brand Simple: How the Best Brands Keep it Simple and Succeed.”

“Art Direction + Editorial Design”
by Yolanda Zappatera
An in-depth guide to conveying brand identity and connecting with target audiences through editorial design. Covers everything from layout design to color psychology, pull-quotes, and type- with excellent case studies and full illustrations.

“The Subversive Copy Editor” by Carol Fisher Saller
This University of Chicago Press manuscript editor shares her stories and advice to help writers and editors avoid squashing spirits, injuring egos, and create hostile relationships when editing someone else’s content- or trying to convey some else’s Big !dea. Saller’s tips and tricks are also helpful for navigating problem areas when you’re working collaboratively to engineer copy.

“Slide:ology”
by Nancy Duarte
A practical guide to creating vibrant visual presentations- from the presentation experience to communicating your brand, color wheels, and font size.

“Grammar Girl’s Quick and Dirty Tips for Better Writing”
by Mignon Fogarty
The ultimate layman’s guide to grammar rules and their exceptions. It’s clear, concise, and has an excellent index.


Oct 1 2010

The Rolling Stones Didn’t Have to Bribe THEIR Groupies

Thoreau Bred

We came across a newsletter this week that actually said: “‘like’ our Facebook page and receive an exclusive offer.” We’re not sure what the offer was, because we’re not interested in being bribed, manhandled, or coerced into social media engagement (…but we’re guessing it’s free shipping or a discount promo code).

Social media revolves around community and conversations. It’s a place for art, expression, and contribution – not advertising. Facebook isn’t just another notch in your touch-point belt, so have some respect.

You don’t need the gimmicks if you’re doing something that’s actually worthy of people’s time, interest, and attention. Real groupies- genuinely impassioned and impressed followers- aren’t bought; they’re earned.

Before you go out and set up a fan page or start a promo campaign to non-organically grow your following, read our social media guide: Social Media- The Prize Inside


Sep 1 2010

How Buff is Your Brand Narrative?

Thoreau Bred

Everything that you say says something about you.

Your brand narrative is how you tell your story. It runs deeper than a marketing rollout or an advertising campaign.  Your brand narrative is told in and through newsletters, press releases, promotions, CRM, sales, programming, products, annual reports, and internal communications- day in and day out. Your ongoing narrative should reflect your brand vision and purpose, your strategic direction, your operational tactics, your intent and partnerships. If crafting your brand narrative isn’t a constant, grueling, and tedious ongoing process, then it’s likely you’re producing ineffective noise.

Wrestling your brand narrative into focus requires skill and authenticity. Calling yourself cool doesn’t make you cool and calling your brand relevant doesn’t make it relevant. Drop the ego, the corporate-bologna, and the stuffy verbiage from your self-promotions and figure out how to reflect who you really are and what you really have to offer. Narrativity is not vague or generic.

Meticulously crafted brand narratives connect with people; they gracefully distinguish your unique interests, voice, differentiators, and the powerful benefits that genuinely matter to clients and customers. Brands that make a connection, reinforce their relevance, and speak to people are identified immediately as the must-have solution; the real deal, second to none. Your brand narrative should convey the personality, style, and strengths that enliven your collective organization.

Your communications are a reflection of your brand identity and directly contribute to your brand image, whether you intended them to be or not.

Here are a few questions to help you do a quick audit of your Brand Narrative:

  • Do your messages accurately communicate your story?
  • Are your messages genuine and authentic or just feel-good self-compliments and well-worded spin?
  • Does your brand’s spunk, funk, credibility, attitude, personality, sensitivity, or vibe shine through your messages?
  • How do your messages reflect your brand identity, values, and strategy?
  • Are your messages clear and concise?
  • Do your messages speak to the real issues that concern your audience?
  • Do your messages reflect the values of your audience?
  • Are you addressing the relevant issues on the minds and the immediate ‘To-Do’ lists of your customers?